The Boy the Wolves Took

A Memento Mori Novel

The Boy the Wolves Took book cover

A confession closes the case. The money reopens it.

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Blurb

Christmas lights go up in Cork as Cassandra O’Neill’s “solved” murder wakes back into motion.

The wreckage of a laptop, fresh statements, and old money point to the Terminal’s private economy — art, favours, and people who don’t leave receipts.

Mason Maloney is trying to stop disappearing from his own life, trying to let Dr Tim Button in, but the city has a way of finding the vulnerable seam.

Detective Bria Friday and Senan Bunsi pull at the knots, and the case tightens around everyone who thought it was finished — especially when someone decides the only safe ending is another body.

Why you’ll love it: art, favours, and people who don’t leave receipts.

Read-alikes

  • The Searcher — Tana French Crime — Literary

    Irish setting, character-driven crime, and a focus on contested memory and moral unease over procedural certainty.

  • The Burning — Jane Casey Crime — Police Procedural

    Police-led investigation, emotional stakes, and the tension between procedure and instinct.

  • The Accident — Denise Mina Crime — Contemporary

    Morally messy investigation, social pressure, and a sceptical view of “settled” truths.

  • A Darker Domain — Val McDermid Crime — Psychological

    Psychological depth, unresolved pasts, and crime narratives driven by character rather than spectacle.

  • The Blackhouse — Peter May Crime — Atmospheric

    Strong sense of place, atmosphere, and the pull of unresolved history on a present-day investigation.

  • The Dying Light — Henry Porter Thriller — Crime

    Stakes built around leverage, secrecy, and the cost of bringing hidden facts into the open.

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